1,309 Royalty-Free Audio Tracks for "6 String Quartets"

Crescendo demo, played without modulation. You will hear the registers Viola and Violin. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect.

Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Sound demo, played with modulation. You will hear random akkords. The registers (choires) are Viola, Violin and Trumpet. Violin (4') is the same as Viola ('), but one octave higher. Trumpet offers the effect of the brass section in an orchestra. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Crescendo demo, played without modulation. You will hear the registers Viola, Violin and Horn. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect.

Register Viola demo, played with modulation. You will hear every key. Viola (8') is the same as Violin (4'), but one octave lower, like Trumpet/Horn. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

*Square root of 6 on C. √6 : 2 = 350.98 cents. MIDI pitch bend: 40,48

Alberti bass in the opening of Clementi's Sonatina in G, Op. 36, No. 2.

*Square root of 6 on C. √6 : 1 = 1550.98 cents. MIDI pitch bend: 40,48

*6 steps in 15 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/15=2/5:1 = 480 cents. MIDI pitch bend: 76,89 on a M3

*6 steps in 19 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/19:1 = 378.95 cents. MIDI pitch bend: 34,57 Created in Sibelius with midi pitch bend on 89 for 378.125 cents rather than 378.96. New version a m3 on 33,89 for 378.9306640625 cents rather than 378.96.

Symphony No. 6 In B Minor, Op. 74, 'Pathetique' - IV. Finale Adagio lamentoso

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Black Horse Troop" (1924) as performed by the United States Marine Band. Track 100 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

The romantic theme from the first movement of the Pathétique

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

Klaviersonate Nr. 6 f-moll op. 10.2 - I. Allegro

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The National Game" (1925) as performed by the United States Marine Band. Track 102 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

*6 steps in 7-et on C. Equal-tempered: 26/7:1 = 1028.57 cents. MIDI pitch bend: 18,73

Klaviersonate Nr. 6 f-moll op. 10.2 - III. Presto

Italiano: Symphony No. 6 in B minor, Op. 74, "Pathétique" I. Adagio - Allegro non troppo

Klaviersonate Nr. 6 f-moll, op. 10.2 - II. allegretto

Example of a passage requiring bariolage from his Principes du Violon, p.79. Timbral effect synthesized.

Monochord mit 30 gleich gestimmten Saiten (1 min 51) Monochord with 30 strings at the same pitch (1 min 51)

Kurze Demo des Farfisa Syntorchestra

Symphony No. 6 In B Minor, Op. 74, 'Pathetique' - I. Adagio, allegro na non troppo

Schubert Quartett-Satz in C minor, opening bars

Symphony no. 6 in f major 'pastoral', op. 68 - ii. Andante molto mosso (Szene am Bach)

Akkordglissando auf der Harfe

Symphony No. 6 in F major (Op. 68) - 3rd movement

Symphony No. 6 in F major (Op. 68) - 4th movement, composed by Ludwig van Beethoven. Symphonie Nr. 6 in F-Dur (Op. 68) - 4. Satz, komponiert von Ludwig van Beethoven.

Schubert's Ave Maria by Free Tim

Symphony No. 6 in F major (Op. 68) - 1st movement, composed by Ludwig van Beethoven. Symphonie Nr. 6 in F-Dur (Op. 68) - 1. Satz, komponiert von Ludwig van Beethoven.

Artificial harmonic on D string: G', D', and B.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 11 Prelude No. 6 in D minor, BWV 851

John Philip Sousa's "Nobles of the Mystic Shrine" (1923) as performed by the United States Marine Band. Track 98 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 11 Prelude No. 6 in D minor, BWV 851

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

John Philip Sousa's "Nobles of the Mystic Shrine" (1923) as performed by the United States Marine Band. Track 98 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.